Thursday, 25 November 2010

Art of Acting 2 - Time to start work

I've been far too quiet on here recently and this comes down to the fact I've been barely able to sit still and relax for a few weeks, and it'll get much, much worse now! Over the next month I'm going to be living at the towns Commemoration Hall first in my role as "Sound Viking" for the youth theatre and then on stage during pantomomomime which is now less than 30 days away from show time, celebrity guests (well rumoured Emily Ovendon from Pythia/Medieval Baebes fame) and Miss Pipe heading to the countries first privately owned hospital *grumble* for childish delight.


With that deadline in mind we're now at the stage where people are putting down scripts, getting more physical and in some cases drifting towards complacency. First up let's tackle the "scripts down moment". Some of us are just about trying certain parts, myself included, without the script but the thing is. This leads to confusion as the person whom would fill the role of "contiunuity supervisor" or "prompt" if you prefer hasn't arrived yet which means that there is the continuous stopping when people don't notice you haven't got your script which becomes a repeat later on when the CS/P arrives (two days before show inevitably) who doesn't know when you're stopping for a dramatic pause or forgotten lines. Or they're over eager with a prompt line. Imagine if you will Romeo & Juliet as I, Romeo stand over the "dead body" of Juliet confronted with your one true loves body you don't just ramble on so I stop take a deep breath lower my head and begin working into a state of tears and a voice is heard bellowing from the wings "DEATH THAT HATH SUCKED!"... There goes that mood then!


The problem is that if there is no prompt in early rehearsals they're not going to know these acting nuances when it comes to performance and as a result people find themselves bundling through lines and losing some of the acting side, alternatively pausing midsentence due to the unmistakeable shout. I've only once seen someone forget lines in a professional show (Christian Slater for the record, noticed having played the role of McMurphy myself) and the secret is that the prompts actually turn up for rehearsals, I know in the West End they're paid for it but if actors and directors are there why can't a prompt from the crew turn up too?


Anywho, it's also now getting to the "physical" stage, having slung scripts over the shoulder a production can start picking up on things that are hard to do with a book in your hand. Aside from hitting someone with a book this will include running fight sequences, slapstick routines and other assorted pieces in situ. This in itself isn't too bad, in fact it's when the show starts to really comes together as people start experimenting. Where it does become a problem though is that you find yourselves getting too eager (I have a shirt somewhere with a nice sword hole in the sleeve from a lucky dodge) AND pushing it further as to what "extras" we can put in. Sometimes this isn't too bad, in panto for example people will expect big, larger than life characters and tricks but you can still push it. From a simple sequence like the stronger, braver character panicing, screaming and collapsing unconcious in a heap in terror (possibly with dropped females, sorry Grace) you can lead to more absurd and self induldgent moments. Already we've spotted a few and need to reign ourselves in. Sadly, some actors don't take too kindly to being told "it's a bit too much", That spear carrier pointing with gestures that would make Hulk Hogan blush during the finale of Hamlet springs to mind.


Finally, some people start to drift in a complacent stage. You'd think with less than a month till opening night people may get tense and start focussing... Of course not! Those who felt "untouchable" back in auditions still get that feeling even now (possibly even after getting the crummier role than their superior acting skillz deserve) and for whatever reason still think that they have forever. These are the people who on last night are still reading the script at every opportunity to avoid forgetting lines, they probably should've learnt them earlier. Of course, there are certain roles which are stupidly wordy so can understand but does that character in only two scenes really demand that much? Acting types sit back, relax and then the week before the show realise where they are and start panicking. Shockingly so do directors, while a last second bollocking may seem like "waking them up" the problem stems at the stage when they say that "everything is going really well". If you keep complacency going it's harder to get that later boost. Feedback does need to go both ways, oh and don't get someone who nobody has ever seen before to do the bollocking, it's hard to put on a show when your cast have walked out at the last minute!


That said, this years panto does seem to be going quite well but with a month to go there's not as long as people thing to get it going slick. Now let's wait to see what happens when the tech rehearsal comes along...

Sunday, 14 November 2010

Building Better Worlds

Sorry for making this sound like a Weyland Yutani brochure but having installed the new hard drive for the PS3 I've finally been able to spend some time enjoying bigger games and admiring the crafted worlds of games like Oblivion (below) and Dragon Age, and this has led me to some observations and to relift and old idea which has been lingering (and been reminded to me by the lovely Kate every time we see eachother!


When running around these worlds (best viewed while with female elf character and after removing armour in 3rd person... ;) ) we find that not only do they look amazing and give fantastic energy but whether they're fantasy worlds like the above or barren Nevada wastelands people are now able to create a universe that feels "alive". Games are finally now able to build a universe (cliché ridden or otherwise) which is able to absorb you in another world or time period just like classic literature used to be able to.
Thing is, for the most part some elements of literature seem to have lost this same thing. Despite being fictional worlds they have elements which bring the reality. Even something like Dracula took elements of the reality and slotted it subtly in to the fantasy world, fiction but plausible. The sequel supposedly written using Stokers own notes however constantly name drops people of the era going as far as to change the dateline of the original novel to make Van Helsing a suspect in the Ripper crimes (evidently the alusion is Dracula was Jack the Ripper). Still marginally better then the other vampire series written by Ms Meyer which unlike the books she rips off comes across as half arsed fantasy which doesn't come close to absorbing. At least the Rice novels have that plausibility, for all the absurdities about supernatural beings there's the chance they COULD be legit (spoilers - they're almost certainly not though...)
Thing is, it just feels like creativity can struggle at times, even the books and games I like feel it's all been done before (recommend the Merlin Codex, nice mix of Celtic/Greek/Finnish mythology) in the above examples of Oblivion and Dragon Age it's basically king dies, demon invasion to quell. Books just seem to have got scarce further with ideas and the number of shocking remakes of films seems to go hand in hand with this. Even the "best young writer aged 6-13" who won an award for "original and creative ideas" when asked where her inspiration came from replied "well I watched this film with Brad Pitt and thought that'd make a good book". David Camerons expression in the photo was priceless!
This leads me to my project, a while ago on the Nightwish forum (why do people STILL send me private messages despite leaving over a year ago?) I ran a community story, almost like a text adventure RPG. Essentially it was a genetic engineering Crichtonesque piece using Jurassic Park as a start point and then moving from there to show off the new creations he'd created. Sadly inspiration seemed to hit most of the other writers and I couldn't kill them all off and try and limp through to the end of the episode with just two or three others.
What if, however, it's started with the plan of small contributions and working together to build the universe? What if perhaps there was some form of platform where people were able to make fairly large, in depth pieces of writing with an easy way of sharing it? National Novel Writing Month kind of went horribly wrong for me but nothing to stop people from trying this on the side. Perhaps we'll take Kate's poetry book idea and get a nice purdy cover published (even if it's only amongst ourselves). Now what shall we find as a starting point? Counter cliché fantasy (why do dwarves all hide underground and poncy pointy ears (despite being hawt) ALWAYS live in harmony with nature?) perhaps? any ideas?

Tuesday, 2 November 2010

Birthday Blues

This is not going to purely be ranting about the lack of breakfast in bed on my birthday, though I am sure that people would concur not even receiving a cup of tea would be incredibly insensitive and just downright mean. These sort of losses deserve a full scale rant but I can cope with them. Nor am I going to complain by the realisation I find myself sitting down and conversing with people half my age on a regular basis through theatrical escapades. Come to think of it the most alarming thing about that is that these kids are trying to teach me far too many dance routines for this years pantomime.


It's about the loss of the "special milestone" that birthdays used to be during our formative years. For the last 5 years very little has really happened and it now becomes "just another day", yes you'll receive a few cards from family members to show that people remember birthdays (incidentally this is now the missus' department, no card, blame her) and you'll receive 45 wall posts saying variations of "Happy Birthday" on your Facebook page and on nice forum communities you may be fortunate enough to receive a happy birthday topic of your very own. It's always nice to receive that small dose of appreciation but for the most part it's just another day.


Compare this to those "milestone" birthdays from not that many years before. As a child you would be lucky enough to receive that special gift you wanted and while we may get one little thing from those closest to us those days are long, long gone. As we go further into our teens these presents become rarer but so to do parties, do people assume as you reach 15 you're no longer deserving? We may be fortunate to have a special occasion such as our 18th and 21st party and special nights out (16th for young'uns due to the septic influence) but for the most part things are drifting further away from us.


What I'm saying is, us oldies should reclaim our birthdays from the doldrums. Why on Earth when I'm at work on my birthday why should I be the one expected to provide cakes/tin of sweets (thankfully cheap due to post Samhain sales) for everyone else? In fact, in schools it's almost seen as expected for the child to have their birthday off with no repurcussions. Let's extend this to the work life. One free days leave for all workers. If you are not due to be in work on your birthday allow this day to used up in another days paid leave.


Then there's the parties. Are we frightened of allowing ourselves to have a big old get together and good time with our friends and family? Let's reclaim the birthday party, let's make it so it's not seen as wierd for us to crash our parents place and put a big old bouncy castle in the garden get our friends round and have a huge sugar rush (not advised for GemGem). If one desires to have a swimming party with the giant inflatable pirate ship then my deity we should be allowed this option without the old bat at reception saying "sorry this is for children under the age of 13". It's my birthday and I want be allowed to be spoilt and have a darn tooting day with my friends. Is it really too much to ask?


I know a spoilt birthday can't be every year for cost reasons and the like but let's be fair here. When do we get the chance to truly be spoilt once we embark on life in the big wide world? It's the anniversary of our birth and we don't get too many days to celebrate that (average 80/29000 days) and this is just not fair. Let's enjoy our birthdays and win those classic days back. Come on, let's be having you!